How To Draw A Realistic Female Face Step By Step

How to draw a female face step by pace

Welcome to a new Wacom sketch lesson. Today we will acquire how to draw a woman's face. This - every bit we all know - can be a beautiful sight and is likewise one of my own favorites. Of course, all faces look slightly different, depending on their origin, age, number of ears, etc., non to mention the style of each artist. Sometimes even the same face looks completely unlike in the morning than it does in the evening.

In this stride-past-step guide nosotros will learn some basic guidelines that portrait, caricature, comic and anime artists all over the globe have been using for many years when painting realistic faces. Of form, these are not mandatory rules and every artist can conform and reinterpret them to their own style. With a chore as challenging as the female face, it tin be tremendously helpful to practise and keep this guide in listen.

In this course nosotros volition draw a female face from our imagination and learn some essential tricks and techniques to make it look realistic. We volition get-go by constructing the head shape, and so add together the features, and finally give the confront some fine-tuning and color. I hope y'all observe the course inspiring, and that you lot will be able to use this approach for yourself in the future.

This course is mainly aimed at beginners, but an experienced creative person may discover something new as well. I'm besides going to talk about the workflow on the calculator with a graphic tablet and the advantages of digital devices. Yet, you can follow the course with pen and newspaper too.

I wish you lot a lot of fun while drawing and keen results.

How to depict a female face up Chapter A:
Geometric Shapes

01 Begin with a circle

First, make a small construction drawing. With the help of some bones shapes, the head, eyes, nose and mouth can be positioned with ease.

We start with a circle. Drawing a circle is not the easiest affair in the globe. If you don't succeed right away and your circle looks like a cubist murphy, endeavour to fix your wrist and sketch the circle from the rotation of your forearm. Yous tin can too - like me - try to approach the circle shape with several quick strokes. Don't worry if your construction drawing doesn't look very nice. You lot won't come across information technology at all in the end.

02 Heart axis

At present we sketch a straight line in the heart of the circle. I call it "center axis", because left and correct should exist more or less symmetrical, as it is in faces.

03 Vertical guide lines

Fourth dimension for some guidelines: Cut the circle with a horizontal line. We transfer this half circumvolve height downwards to the extended central axis.

Within the circle, nosotros cut each half in one-half again with ii minor lines. This way we take divided the circle into 4 parts and added another half circumvolve height at the lesser.

04 One more than circumvolve

Now nosotros need a smaller circle. Don't worry, nosotros have about finished structure. The small circle goes from the tertiary line of sectionalization to the very bottom. And so, it is ¾ as big equally the big circle. Nosotros likewise marking the center of the smaller circumvolve.

05 Cheeks

Construction finished. Time to draw the rest. Connect the two circles into a single shape. These joined circles will make upward the skull and lower jaw as there are no bones sticking out, this should be pretty easy.

You can make the connecting lines straight or bend outwards, depending on how well nourished you want the face to expect. The cheeks could also sink inwards if you want a gaunter expect.

06 Vertical positioning

How good that we have constructed then bravely. Considering now we know exactly where everything should be located:

• At the top quarter line is the hairline.

• The circle-middle line - well, maybe nosotros could have left that out. But experienced artists know: to make a quarter, you have to make a half first

• The adjacent line is for the optics. Yep, they are really that low. They sit halfway down the face up.

• The nose ends exactly at the lower border of our outset circumvolve.

• And the oral cavity sits at the heart of the pocket-sized circle.

07 Horizontal subdivision

In order not to draw optics and rima oris too wide or as well narrow, we subdivide the face one time once again, this time horizontally. We cut each side in one-half, and so one-half over again. This gives us a total of eight every bit wide parts.

The left heart extends from the 2d to the fourth dividing line and the right mirrors it on the other side. The pupils sit in the middle of the eyes at the third subdivision line, exactly in the middle of each half.

The mouth is about as wide as the distance between the pupils. Sketch a pair of optics, a mouth and a small-scale U-shaped line for the olfactory organ. This doesn't have to be perfect, but exist sure to define the corner points clearly.

08 Head shape

At present that we know where the eyes, mouth and nose are located, we can remove some of the guidelines. Keep the i for the hairline, we'll demand it again at the end. At present that we see the face for the commencement fourth dimension, nosotros can rework the head shape a bit. A woman'southward head shape is softer and less athwart than males. Therefore, the outlines of the head shape should be drawn with softer curves.

We start with a U-shaped curve at the mentum. Effort to draw the mentum every bit symmetrically as possible. The narrower the chin, the more feminine the face will look. Just if the chin is too narrow, we might accidentally draw an alien.

When satisfied with the chin, start with a new line at the acme of the brow. First, follow the circle from our sketch. At middle level our head shape makes a barely noticeable dip inward. Once there, elegantly swing effectually the cheek and depict an almost straight line towards the chin, where our lines see.

09. Mood of our face

Now to make up one's mind what state of listen our woman's face has. This depends primarily on whether the eyebrows and oral cavity are pointing up or downwardly.I take decided on a satisfied, practiced-humored face. The mouth points slightly up, the eyebrows are relatively neutral.

10 End of the preliminary drawing

Our preliminary drawing is finished. I have indicated the areas for the eyebrows and sketched the lips a bit. Only don't worry, we'll become into all the details right away.

How to describe a female face up
Chapter B: Details of the confront

In the adjacent chapter we will accept care of the details for our confront.

11 Preliminary drawing every bit orientation

Identify your preliminary drawing every bit a separate layer in the groundwork and brand information technology a footling lighter then you lot can yet use it as a guide, without it beingness too distracting.

12 The upper eyelid

The shape of the upper eyelid varies from person to person. Even small differences have a great event on the appearance of a face. Basically, the upper eyelid (especially the female eyelid) describes a curve that rises relatively sharply and then falls off weakly. The easiest fashion to achieve this curve is to start from the outside.

13 The lower eyelid and the pupil

The lower eyelid describes a slightly flatter arc than the upper 1. Information technology does non start direct at the end betoken of the upper eyelid. The upper eyelid goes a little further outward. In addition, the lower eyelid can curve slightly upwards on both the outside and inside. In a laughing person, this outer curvature is specially pronounced because the express joy muscles push button the outer edges of the optics upwards.

Depending on how important this facial characteristic is to us, we tin describe this line several times.

Place the student so it lies against the upper eyelid. This creates the effect of the eye looking directly at us.

14 Iris and upper lid crease

The upper hat pucker is the nearly romantic crease of the face. Eyelid wrinkles that bear upon the upper eyelid at certain points create dissimilar effects. For case, exaggerated, high eyelid creases create the well-known bedroom expect. It is worthwhile to experiment with the upper eyelid crease, as it can express completely different moods.

The standard eyelid crease, when the middle is at rest, runs well-nigh parallel to the upper eyelid. Since things are rarely exactly parallel in nature, the eyelid crease can move slightly away from the eyelid towards the eye of the line and approaches the center of the face up again.

Geometrically, the iris is a circle concentric to the educatee. It is virtually one-half equally wide as the total area of the eye. Of course, we practise non draw a complete circle, because the iris is covered by the eyelids at the peak and bottom. It may be easier to draw a complete circle for the iris first, and to remove the covered parts after.

15 Countenance

For the eyebrow, sketch an expanse which to fill with hair after. This area is rather pointed towards the outside. Female eyebrows tend to be a petty narrower than those of men and can have a steeper curvation. But exist careful - this can appear severe.

The hair of the eyebrows starts inside at a 45-degree angle and becomes flatter towards the outside. Information technology'southward best to depict the hair with lots of fast strokes. Showtime on the within, and depict each hair at a slightly starting time angle.

In this digital age, hair that protrudes also much can be hands erased using a pen tablet.

16 One more eye

Y'all tin can also copy and even mirror things on your tablet. However, at that place were eyes and faces long before the digital age. And no ii eyes ever expect exactly the same. And last but non least: You have to practise!

17 Iris Texture

The eye and especially the iris are complex structures, made of many fine shapes and colors. We tin arroyo this view graphically by drawing many fast alternating black and white fine lines from the pupil to the edge of the iris. We can besides fill the iris with colour after.

18 Reflection

The final impact is given to the eye by light reflection. This can be a simple white signal, several points, a window or even a whole landscape. Nosotros achieve a pleasant effect with a uncomplicated shape that does not cover likewise much of the eye. We exercise not want to illuminate the whole heart. Less is more than.

19 The mouth

The rima oris is not a gently running line. The corners of the rima oris, i.e. the outer edges of the line should exist divers with a fiddling more pressure or with small corner creases. A typical characteristic of the female mouth is the small curvature of the oral cavity crease in the centre.

I made the mouth a bit narrower than in the preliminary drawing, because information technology seemed more coherent to me.

Don't forget to always look at your drawing as a whole and check if everything is in its place. Maybe you want to change something? What can be improved?

twenty Upper lip

Male and female faces also differ in the thickness and curvature of the lips. We start the upper lip as symmetrically equally possible with two slightly ascending, rapidly drawn strokes

from the corners of the mouth towards the centre. In the second step, nosotros permit the two strokes plough into a 5 with two steep curves.

21 Lower lip

The lower lip may be slightly thicker than the upper lip, only this is not a must. The line may become slightly apartment towards the middle.

The rima oris may end upward looking a trivial similar a sticker stuck on the face. To forestall this, simply use a little drawing play a trick on. Leave a gap between the lower lip line and the corners of the upper lip, let the line gently run out and point towards the corners of the mouth.

22 Nose tip

The nose is known to protrude furthest from the face. This may be a picayune easier to draw in profile, just in the frontal view it presents united states of america with sure difficulties. Equally we only have two dimensions at our disposal, nosotros have to work with something called 'perspective shortening'. This can exist a challenge especially for beginners, merely we tin avoid any problems by applying a simple formula: Draw the tip of the nose equally a pocket-size horizontal line pointing slightly upwards. On both sides of the tip of the nose we continue with slightly outwardly curved strokes.

23 The nostrils

The nostrils offset very close to the outer sides of the nose tip. They are well-nigh horizontal at the lower end and point at the upper end in approximately the management of the opposite inner heart fold.

Now we should bank check the face as a whole. Is the olfactory organ as well big or as well small? Too broad? Likewise narrow? You can change the nose until you are satisfied. Well-nigh graphics programs can likewise help you with the transformation tool.

24 Adjust head shape

Now that we accept fatigued all the of import parts of the face, it is appropriate to adjust the head shape one concluding fourth dimension. In principle, we can transfer the head shape from the preliminary cartoon to the final drawing in pretty much the same fashion. Y'all may notice some spots that need changing slightly.

25 Two lines

Among many possible shadows and wrinkles that faces could have, I have chosen two that I similar to use, especially on female faces.

1 is the chin crease under the lower lip. It defines the chin and visually widens the oral fissure area.

Some other is the cheek shadow (on the left). This is ane of the typical features of a woman'southward face. It normally takes a few tries to get the cheek shadow where it should be, so that the confront doesn't expect too bony or grinning.

26 Ii boxes

Once more, this step is about determining a position. The ears stretch from the eyes to the tip of the nose. Equally nosotros see the confront from the forepart, the ears don't appear round, but almost flat against the head. Draw 2 pocket-size, slightly V-shaped boxes.

27 The ears

One of the peachy advantages of the female face is that there is usually a lot of pilus covering the ears, and so we may not even accept to describe them. The ear is a rather complicated structure with many angles, wrinkles and shadows and should probably be described in more than detail in a separate form.

I accept therefore indicated in the picture how to draw a somewhat abstracted ear in 3 elementary steps. The two boxes help us to do this.

In the next affiliate our confront will get pilus and final touches, including colour.

How to draw a female face
Affiliate C: Hair and last touch

28 Hairline

Hopefully you oasis't erased the fiddling hairline guide. If y'all have, don't worry, we can position the hair by observing the residuum of the face.

Hair, like ears, is a scientific discipline in itself and basically needs its own tutorial. Merely I will limit myself to a few lines to draw it.

We start with a rough sketch of the vertex and outer edges of the hairstyle. It's best to describe this on a separate layer, and then that we can easily hide the preliminary drawing of the hair after. The line for the parting runs from the hairline auxiliary line - here a little to the correct of the eye - in an upward sweep that is equally elegant as possible. From the vertex, the pilus falls towards the ears on both sides. Depending on how loose the hairstyle should await, several lines running next can as well limit the hairstyle.

29 The neck

Below the ears the hair reappears and falls downward freely in several brisk strokes. On this occasion we tin also point the cervix.

While drawing the hairlines you volition notice certain curves, curls or areas that you'd like to add to. Don't go into also much detail yet.

thirty Falling direction of the hair

This stride is not well-nigh drawing wearisome cautious lines, just well-nigh cartoon the hair in a sweeping and brisk manner. Of course, we don't draw every unmarried hair, just rather study the fall directions of the hair at the dissimilar places. Later nosotros can define them with a few clear strokes. Hair grows in tufts, and within these tufts it all grows and falls in similar directions (not criss-cross). I've created several tufts of pilus and hairstyle areas in the image quite arbitrarily. There are no limits to your imagination. Pilus is always the fun function.

31 Final artwork of the hair

Once your hand gets used to the fast movements, lines, and curves of the pilus strokes, information technology is much easier to define a clear, sweeping hairstyle. For the final drawing of the hair, it is recommended to use a separate layer over again. Here we tin orientate ourselves on the pre fatigued hairstyle and later, every bit already mentioned, simply hibernate information technology. If necessary, we tin can also erase pilus that is too long and protrudes into the face without erasing the face itself. It's worth experimenting with different line widths and degrees of coverage when drawing the hairstyle. In our picture I have emphasized the individual strands with a darker line, while within the strands the indicated subdivision lines are much lighter and less prominent. The virtually important affair when cartoon hair is withal the line speed. And fortunately, in digital drawing, any imperfect stroke tin can be undone until it fits.

32 Optional particular work

Of course, the possibilities for item piece of work are almost unlimited. Here are a few examples that can be fun:

• Adding some other point of light in the eye.

• Texture the lips with the same technique as the iris.

• Adding a subtle shadow at the bottom of the nostrils.

33 Bonus: A bit of colour at the cease.

I promise you had fun and found some helpful tips for your future drawings. Of class, yous can't comprehend all aspects of a creative topic in a unmarried tutorial.

We will go into more details and variations in futurity courses, such as: How to describe a face from different perspectives, Faces of dissimilar ages, Hair - olfactory organ - ears in detail, Coloring of faces, Other parts of the torso, Hands - feet - body, and The male face up, etc.

This tutorial is designed to provide a solid foundation on which whatever aspiring artist tin build. Every bit in any art course, the results depend on regular practice. Don't be frustrated if you don't similar your offset drawings. You volition get better with every painting. Stay tuned, go inspired and have fun with information technology.

Create expressive faces. Get started with Wacom One.

Wacom I is platonic for bringing facial features to life. The natural surface friction and minimal reflection creates a pen-on-paper feeling on the 13.iii" screen. The pen feels low-cal and natural in your hand and transforms into a pencil, paintbrush or chalk in your selected software. It can even be used as an eraser. Perfect for refining the details to create lifelike faces. Creative software comes included, forth with the ability to connect to your Mac or PC, as well as certain Android devices.

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